Spring 2023: Music Programs | Concerning the Division | Division of Music
Spring 2023: Music Programs
We’re excited to announce our course choices for the Spring 2023 semester!
Undergraduate Lessons
MUS 3B | World Soundscapes: Performing Musical Custom Throughout Time and Place
Professor Bradford Garvey
T/F 9:35 -10:55 a.m. | Slosberg Recital Corridor
AMST/MUS 55A | Music in Movie: Listening to American Cinema
Professor Taylor Ackley
T/Th 2:20-3:40 p.m. | Slosberg Recital Corridor
ENG/MUS 55B | If Music and Candy Poetry Agree
Professor Sarah Mead & Professor Ramie Targoff
T, F 3:55-5:15 p.m. | Slosberg Room 211
MUS 101B | Western Classical and Common Music I: How It is Made, Half 2
Professor Yu-Hui Chang
M,W 4:05 PM–5:25 p.m. | Slosberg Room 211
The second semester introduces broad ideas of principle and begins the method of studying to jot down and analyze music. By the top of the yr, college students will achieve expertise in counterpoint, concord, and formal evaluation, and can compose in a easy type. All year long, the connection of repertoire and principle is harassed. The required ear-training and keyboard lab meets individually. Often provided yearly.
MUS 103A | Western Classical and Common Music II: How It is Made, Half 2
Professor Mark Berger
T/Th 2:20-3:40 p.m. | Slosberg Room 215
MUS 111A/112A: Personal Instrumental and Vocal Examine
Instrumentalists: Professor Bob Nieske | Vocalists: Professor Robert Duff
Particular person classes to be scheduled
MUS 116A | Chamber Music: From Web page to Stage
Professor Joshua Gordon
Group coachings to be scheduled
MUS 121 | Math and Music
Professor Erin Gee and Professor Jonathan Touboul
M,W 2:30-3:50 p.m. | Slosberg Recital Corridor
MUS 133B | Music in Western Tradition: Seventeenth and Eighteenth Centuries
Professor Sarah Koval
T/F 12:45 -2:05 p.m. | Slosberg Room 212
Seminars (Undergraduate & Graduate)
MUS 161B| Superior Seminar
Professor Emily Frey
M 9:05-11:55 a.m. | Slosberg Room 234
Subject for Spring 2023: Race and the American Musical
Higher-level educational seminar taken by all juniors that focuses on a single subject of the trainer’s selection (equivalent to notation, musical type, aesthetics, improvisation, and many others.). Ideally college students will take this of their junior yr, though if college students are away on Examine Overseas, they might take this course at one other level of their diploma program. Often provided each fall.
MUS 162B | Seminar in MAX/MSP
Professor Davide Ianni
T, F 9:35 AM–10:55 a.m | Slosberg Room 233 (BEAMS)
Matters associated to the usage of the MAX/MSP graphical programming language for composition, sound design, set up, and stay efficiency. Individuals interact in particular person tasks and research MAX patches by established practitioners. Particular person and group analysis and displays are required. Often provided each third yr.
MUS 174A| Instrumentation and Orchestration
Professor David Rakowski
M,W,Th 10:10 AM–11:00 AM | Slosberg Room 212
Technical tasks within the artwork of writing for devices and for teams of devices, from chamber teams of assorted sizes to full orchestra. Rating research of examples from 1770 to the current. Extra deal with notation and on guidelines for instrumental components. Often provided each second yr.
MUS 183B| Introduction to Ethnomusicology
Professor Bradford Garvey
W 9:05 AM–11:55 AM | Slosberg Room 234
Ethnomusicology is the research of music in motion—within the second, amongst musicians, and focalizing the context of efficiency and the shared floor of that means through which that music is enacted. This course introduces disciplinary ethnomusicology by means of a broad overview of the historical past and improvement of the sector, its interactions (each profitable and unsuccessful) with its sister disciplines, and the function of ethnomusicology inside and past the academy. We’ll learn, take heed to, and talk about among the main students and thinkers of the sector, analyzing the social context of their interventions within the self-discipline and their fieldwork. We’ll pursue a number of particular tasks by way of the semester, starting from transcription workshops to computer-assisted musical evaluation. Lastly, the course will put together college students for a quick participant-observation fieldwork undertaking that can operate as a capstone task for the course. Often provided each third yr.
MUS 191B| Evaluation of Prolonged Tonal Music
Professor Yu-Hui Chang
M 12:00 PM–3:00 PM | Slosberg Room 211
Works on this course are chosen from the late nineteenth and early twentieth centuries. Composers equivalent to Wagner, Wolf, Debussy, early Schoenberg, Bartok, and Stravinsky. Music from the Renaissance and early baroque might also be examined. Often provided each second yr.
MUS 196B| Sound and House: Sound Set up and Motion Staging within the Discipline of Music Composition
Professor Erin Gee
F 2:20 PM–5:10 PM | Slosberg Room 212
College students will design their very own sound set up and learn to construct that means by way of house and sound In relation to a cross-disciplinary analysis subject. This analysis might be modeled on strategies cross-disciplinary project-building In numerous disciplines. College students might be knowledgeable by historic precedent On this subject, design (and fulfill) a analysis objective across the manufacturing of the set up, and perceive how you can create (and to truly create by the top of the category) an intellectually rigorous and fascinating interplay between the aural and visible. Often provided each third yr.
MUS 205A | Musicology Lab
Professor Emily Frey
M 1:00 PM–2:20 PM | Slosberg Room 234
MUS 206B | Music, Id, and Activism
Professor Taylor Ackley
T 9:35 AM–12:25 PM | Slosberg Room 234
Ensembles (Undergraduate & Graduate)
T/Th 5:30-6:50 p.m. | Slosberg Recital Corridor
T/F 11:10 a.m.-12:30 p.m. | Slosberg Recital Corridor
Robert Duff, conductor
T/F 12:45-2:05 p.m. | Slosberg Recital Corridor
Bob Nieske, director
W 7:15-10:15 p.m. | Slosberg Recital Corridor
Neal Hampton, conductor
Th 7:05-9:55 p.m. | Slosberg Recital Corridor/Wellesley School
Tom Souza, director
M 7:30-10:30 p.m. | Slosberg Recital Corridor
Tom Hall, director
T 6:30-9:30 p.m. | Slosberg Room 212
Ben Paulding, director
M/W 5:40-7 p.m. | Slosberg Recital Corridor
Taylor Ackley, director
M 2:30-5:20 p.m. | Slosberg Recital Corridor
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