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POLLY WATSON’S BEST MUSIC OF 2022


Polly Watson is a musician, author, and editor based mostly in New York.

Tamio Shiraishi performing at the 67th Avenue station, Queens, NY, October 2, 2021. Photo: NYC Noise/YouTube.

1
TAMIO SHIRAISHI (67th Avenue station, Queens, NY, March 26)

The experimental saxophonist will sometimes problem last-minute bulletins, through his Instagram, that he’s taking part in the huge columned mezzanine of the subway station close to his residence.I caught him on a cold Saturday night, firing discordant shrieks into the icy ether.A number of ladies in excessive suede boots hurried by guffawing, overlaying their ears.

2
SUBVERSIVE RITE, THE END IS NEAR (Chaotic Rebellion)

Only a fucking wind tunnel of a cassette channeling early UK warp-speed crust progenitors Sacrilege however swapping vocal rasp for outraged readability and holding the bass participant working overtimeon melody. Charged!

Subversive Rite performing at Earthdom, Shin Okubo, Tokyo, July 21, 2019. Photo: Teppei Miki.

3
NYC NOISE (nyc-noise.com)

A useful useful resource for these residing in or visiting NYC who wish to hear the strangeand wild sounds of the likes of Steve Reich, Kowloon Child, or the New York Reviewof Cocksucking in locations starting from Carnegie Corridor to a desolate stretch of Brooklyn practice monitor.

4
OHIO HISTAIRICAL MUSICK SOCIETY (OHMS) ARCHIVES (YouTube)

A cathode-ray-tube rainbow of comet-hot movies compiled by Jimi Imij, of the good early-’80s Akron rippers Zero Defex, and spanning many years of weirdo bands taking part in drywall drop-ceiling dives all through central Ohio and the encompassing areas. Highlights embrace Cleveland sax popsters the Adults on native TV in 1984; a collaged video byImij of late-’70s Akron surf punks theNelsons; and a Crucifucks/MDC yardshow getting damaged up by East Lansing, Michigan, cops in 1983.

5
HEATHER BENJAMIN

The artist andzine maker took trip this yearfrom relentlessly drawing and portray candy-colored butterfly ladies weepingblood from each orifice to design tourtees for the candy and buzzy Brower and direct a video for synthy dreamer UVRapture, and that’s why I’m in a position to point out her in a music high ten. It is best to actually take a look at her work.

Heather Benjamin, You Are Hurting Me Still, 2020, acrylic and gouache on paper, 22 × 15".

6
THE REFLECTORS, “ALL MADE UP” (Neon Nile)

Sugary, heartbreaking, Raspberries-level energy pop so polished {and professional} that I used to be blown away by the childlike naïveté of the accompanying video, which I didn’t click on on till I’d listened to the music 300 instances.

Still from the Reflectors’ 2021 video All Made Up, directed by Eddie Baldasaro. Ryan Miranda.

7
PAMELA Z, “POP TITLES ‘YOU’” (Freedom to Spend)

Initially launched in 1988,this brain-smashing monitor options the pathbreaking Bay Space artist flatly saying the titles of varied songs, every starting with the phrase you, by artists starting from Sharon Redd to Supertramp. Within the background, a stuttering array of electronically manipulated “yous” falls like rain.

Pamela Z, San Francisco, 1991. Photo: Alan Finneran.

8
GEL/COLD BRATS, SHOCK THERAPY (Convulse)

Eight tracks divided by two blistering hardcore bands, one from New Jersey and the opposite from Romania, equals one lengthy hull-breach-warning siren!

Gel performing at the Camel, Richmond, VA, September 23, 2022. Photo: Michael Thorn.

9
HÜSTLER (Venture Attain, New York, October 29)

Darkish, screaming, whiplash punk blasted out at tear-inducing quantity inside a Chinatown youth heart populated by circle-pitting Halloween-happy ghouls splattered with faux blood. I almost tookone within the enamel from a baby dressed asan MTA employee.

10
MY CHEMICAL ROMANCE REUNION TOUR

The emo monsters tapped comparatively underheard acts like Philly thrashers Satan Grasp, self-described“nü jungle, digital hardcore U.S. grime band” Ghösh, and incendiary ragers Soul Glo to open for them, proving you don’t must be dangerous to be huge.



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