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Sundance Movie Pageant 2023 highlights: Half 2


The 2023 Sundance Film Festival continues this week, with extra premieres at venues in Park Metropolis, Utah, and with digital screenings out there throughout the U.S. by way of Sundance’s digital platform from Jan. 24 although 30. 

Though not all movies have been previewed at press time, under are a number of the highlights. Further highlights might be revealed as Sundance continues. [Click here to read Part 1 of our coverage.] 


“Bad Press” (World Premiere)

Not everybody in america is protected by the freedoms established within the U.S. Structure. On most Native American reservations, for instance, there are not any codified protections for freedom of speech, which leaves media members topic to the whims, and retaliations, of officers once they report “dangerous” information. When tribal officers on the Muscogee Nation, in Oklahoma, vote to repeal a free press legislation (which protected journalists writing about corruption by, for instance, tribal officers), and to impose the tribal council’s oversight of all the things revealed within the native newspaper, activists and reporters struggle for a poll proposal that may add freedom of the press to the tribe’s structure, one thing by no means accomplished earlier than.

Administrators Rebecca Landsberry-Baker and Joe Peeler inform a vivid story concerning the struggle for transparency, and the issue going through reporters who’re each attempting to save lots of their jobs, but in addition involved that they’re turning into part of the very story they’re attempting to inform. Screens Jan. 24, 25, 26, 27; streams on-line Jan. 24-30.


“Food and Country” (World Premiere)

Meals author and former Los Angeles Instances and New York Instances restaurant critic Ruth Reichl fronts this documentary about systemic flaws in America’s meals and restaurant business, and the way the upheaval attributable to the consequences of the COVID shutdown created great disadvantages for some, and alternatives for others. Speaking with restaurateurs, cooks, unbiased and natural farmers, and ranchers, Reichl and director Laura Gabbert present how the U.S. meals distribution system was limping alongside (the results of insurance policies aimed toward maximizing low-cost meals within the fingers of company giants) even earlier than the coronavirus made provide chains worse. Reichl additionally revisits her journey as a meals author, and as a witness to the expansion of a brand new motion constructed on more healthy, locally-grown meals. Screens Jan. 23, 24, 25, 26, 28, 29; streams on-line Jan. 24-30.


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A scene from the documentary “King Coal.” Requisite Media/Sundance

“King Coal” (World Premiere)

Director Elaine McMillion Sheldon’s documentary tells each a private story of rising up in Central Appalachia beneath the omnipotence of coal, and a extra ruminative tackle how a neighborhood envisions itself when it’s beholden to this black commodity chiseled out of mountains. Each side of life in her city, from jobs and faculties to sports activities and festivals, facilities round coal. Right here, present with out it appears unthinkable. Dying away from its shadow appears unimaginable. The narrator opines, “Generally I’m wondering if we’ll ever break this curse.” Screens Jan. 23, 24, 25, 26, 27; streams on-line Jan. 24-30.


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Lola Campbell in “Scrapper.” Charades/Sundance

“Scrapper” (World Premiere)

Following the loss of life of her mom, 12-year-old Georgie (a successful Lola Campbell) has been dwelling alone in her London flat, evading the curiosity of social welfare staff and incomes cash on the aspect via the theft of bicycles. However when her father, Jason, exhibits up at her door, after having deserted her as a child, Georgie finds her lifetime of self-sufficiency is gone, and she or he is pressured to turn into the accountability of somebody she would not belief (and who appears to lack the power to earn it).

In her first characteristic movie, director Charlotte Regan performs out the story of a damaged household attempting to fix itself via the creativeness of a woman whose moxie and wiles put her dad’s to disgrace. She will get good performances from Campbell, and from Harris Dickinson (“Triangle of Unhappiness”) as her estranged father, and decorates the movie with hints of magical realism and pretend documentary interviews (to not point out speaking spiders). Screens Jan. 24, 25, 26, 27; streams on-line Jan. 24-30.


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Valentina Véliz Caileo in “Sorcery.” The Match Manufacturing facility/Sundance

“Sorcery” (World Premiere)

Valentina Véliz Caileo offers a clear-eyed, unsettling efficiency on this creepy story of witchcraft from Chile, set in 1880 on an island off the Chilean coast and “primarily based on precise occasions.” After her father is killed by the hands of her German settler-employer, Rosa, a 13-year-old Huilliche native, seeks justice from city officers. When none is forthcoming, she turns to locals reputed to be witches for some supernatural help, and for classes within the alchemy of revenge. Director Christopher Murray evokes nice interval element on this conflict between White European immigrants and indigenous traditions, significantly aided by Bernardita Baeza’s manufacturing design, Tatiana Pimentel’s costumes, and Maria Secco’s earthy cinematography. Screens Jan. 24, 25, 26, 27; streams on-line Jan. 24-30.

To observe a trailer for “Sorcery” click on on the video participant under:

SORCERY (2023) | Trailer | Christopher Murray by The Match Factory on YouTube

“Mami Wata” (World Premiere)

At an oceanfront village in Africa, a religion healer, serving as an middleman for the water goddess Mami Wata, fails to save lots of the life of a kid. The village is then torn by a need to reject the deity and ally themselves with militants promising technological development – faculties, medication – whereas the middleman’s daughter and protégé battle to determine through which course their neighborhood ought to go.

Captured in scintillating black-and-white, this hypnotic story from writer-director C.J. “Fiery” Obasi exhibits a society exterior of time and on the cusp of modernity, however unwilling or unable to let go of a non secular bond. Screens Jan. 23, 24, 25, 26, 27; streams on-line Jan. 24-30.

To observe a clip from “Mami Wata” click on on the video participant under:

“Our People Dem Need You” | MAMI WATA First-Look Clip featuring Evelyne Ily, Uzoamaka Aniunoh by Fiery Film on YouTube

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Brooke Shields, as seen within the docuseries “Fairly Child: Brooke Shields.” Hulu/Sundance

“Pretty Baby: Brooke Shields” (World Premiere)

Even earlier than she grew into the attractive younger girl who graced journal covers and denims advertisements with a disarming, even compelling readability, Brooke Shields was a ravishing youngster, whose picture could be sexualized by administrators desperate to capitalize on society’s fascination with a younger feminine’s eroticism. In a considerate and at occasions heartbreaking interview, Shields talks about feeling sexualized at a particularly younger age, as she was led via a phalanx of business enterprises and doubtful assignments that exploited her seems by her mom/supervisor, a lady who appeared to have Brooke’s finest pursuits at coronary heart however whose alcoholism might have undercut her judgment and willingness to guard her as she ought to.

Shields talks about her break from Hollywood when she attended Princeton College – a little bit of normalcy that additionally flouted the suspicion that she was all magnificence, no brains – and the way she discovered herself when she was allowed to play comedy, within the sitcom “Out of the blue Susan.” However the movie additionally covers a lot darker materials, together with her revelation that she was a sufferer of rape, her failed marriage to tennis star Andre Agassi, her affected by post-partum melancholy, and when she defended herself – and different moms struggling melancholy – when she chided Tom Cruise for his criticism of her searching for assist via antidepressants. Intercut with fascinating archive footage of Shields at work, and beneath the pernicious glare of the media highlight, “Fairly Child: Brooke Shields” exhibits us a survivor, a lady who overcame a celeb standing that each illuminated and stifled her. Screens Jan. 23, 24, 27, 28; not out there on-line. The 2-part docuseries’ launch date on Hulu has not been introduced.


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Designer Aubrey “Po” Powell with the decidedly uncommon alternative for the duvet of the 1970 Pink Floyd album “Atom Coronary heart Mom”: an image of a cow in a subject. From the documentary “Squaring the Circle.” Raindog Movies/Sundance

“Squaring the Circle (The Story of Hipgnosis)”

It was a Golden Age for music, and for 12″ vinyl album covers, what one interview topic describes as a poor man’s artwork assortment. Within the late Nineteen Sixties Storm Thorgerson and Aubrey “Po” Powell teamed up because the design studio Hipgnosis, which created album covers for such artists as Led Zeppelin, Paul McCartney and Wings, 10cc and Peter Gabriel. They have been finest recognized for his or her Pink Floyd covers, from the psychedelic (“A Saucerful of Secrets and techniques”), to the long-lasting (a prism on “The Darkish Aspect of the Moon”), to the weird (a flying pig for “Animals”).

This entertaining documentary richly evokes the interval of 1968-1980, when prog rock bands and former artwork college college students entertained new concepts concerning the visible illustration and advertising and marketing of music. And cash was no object. Fly to the Sahara to {photograph} pink soccer balls in a desert? Why not? Set a person on hearth? Certain factor! The tales behind Hipgnosis’ creation, its rising worldwide popularity, its collaborations with musicians, and the interpersonal struggles between Thorgerson (who died in 2013, and who’s described as each the rudest individual ever and a genius) and nearly everybody Thorgerson met illuminate a interval when music felt much less like a commodity and extra like a power that might change the world. And with every new album launch, the workforce at Hipgnosis did simply that. Screens Jan. 25, 26, 28; streams on-line Jan. 24-30.

To observe a clip from “Squaring the Circle” click on on the video participant under:

SQUARING THE CIRCLE (the story of hipgnosis) | Clip | Anton Corbijn | Raindog Films by Raindog Films on Vimeo

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Michael J. Fox, in “Nonetheless: A Michael J. Fox Film.” Apple TV+/Sundance

“Still: A Michael J. Fox Movie” (World Premiere)

The most recent documentary by Davis Guggenheim (who gained an Oscar for “An Inconvenient Reality”) is an intimate take a look at the life and profession of Michael J. Fox. His success within the TV sitcom “Household Ties” and “Again to the Future” propelled the younger actor to astonishing heights of fame, however he secretly bore the fears over his prognosis of Parkinson’s illness at an uncharacteristically younger age, which induced him to drink, and to have interaction in actorly tips to cover his affliction.

The movie cleverly juxtaposes footage from Fox’s early roles with current interviews, and scenes of his bodily remedy therapies, to point out the horrible decline in his capacity to regulate his physique. He talks movingly about his marriage to Tracy Pollan and his household, and his willpower to discover a treatment for an “incurable” illness, a struggle for which he has helped elevate greater than $2 billion, thus far. Screens Jan. 25, 27, 29; not out there on-line. Coming quickly to Apple TV+. 


To buy packages and particular person tickets go to the Sundance website.

Download the Sundance 2023 mobile app (iOS and Android). It’s also possible to watch this yr’s pageant in your Good TV by way of Roku, Apple TV, and Amazon FireTV.



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