‘Willow’ Episode 7 Recap And Overview: ‘Past The Shattered Sea’
Willow is such a irritating present. As we get deeper into the story, I admit to changing into an increasing number of interested in the place that is all headed. Episode 7—Past The Shattered Sea—had some genuinely fulfilling moments. Some good motion and thriller. I’m thrilled that Elora Danan’s magic has additionally returned her crimson hair—she lastly seems just like the child model of herself.
However at each flip, the present undermines every little thing it has going for it with some weird writing or manufacturing determination. The mysterious girl Airk meets within the Immemorial Metropolis is immediately abrasive and crappy to him, however sounds much less like a fantasy princess and extra like the way in which adults who don’t truly spend time with youngsters suppose teenagers speak. Airk says one thing about this presumably being the “most tedious nightmare ever till . . .” clearly about to say it had gotten much less tedious now that he wasn’t alone.
She rolls her eyes and says, “Hear Prince Chauncy McSleezoid or no matter your identify is, I don’t know what you’re used to again house however I’m not some palace ditz gonna go all quivery simply cuz you’ve obtained your eyes in my course.”
“Oh yeah no I didn’t suppose that you just—” he tries to interject.
“What, that I’d be the damsel in misery in your sicko fantasy?”
“No—”
“Little witty banter, informal inuendo or two to see if I’m sport, then you definitely confess some insecurity: Hey, he’s obtained depth, empathy, good listener, too, and earlier than we all know it we’re rolling within the hey.”
Palace ditz? Chauncy McSleezoid? Sicko fantasy? What on earth are the writers of this present pondering? Different scenes have dialogue that feels proper at house in a fantasy like this—the mysterious previous man on the fringe of the Shattered Sea, for example, and even Graydon confessing his like to Elora Danan. I get whiplash going between the 2 manners of talking on a regular basis.
At one level Airk says “Yo new woman, the place you at?” which makes me wish to break issues. There’s merely no excuse for such awful writing and everybody accountable must be ashamed of themselves. (And everybody who’s fangirling out about this present mustn’t simply settle for this crap since you’re having fun with the opposite stuff).
The brand new character—she calls herself Lili—claims to be the princess of Cashmere. No matter whether or not she’s that or the Crone or beneath the Crone’s spell, both she’s an evil being in disguise who would by no means speak like that or she’s one more teen-adjacent feminine character in a present that already has three in the primary search get together. I’m all for feminine characters in my fantasy exhibits but it surely’s beginning to really feel a bit repetitive. There’s one younger feminine character this present must be specializing in and that’s Elora Danan.
Jade and Package stay virtually superfluous to the story. Package much less so, however my god she’s nonetheless so unbelievably insufferable more often than not. Her total quest to search out her lacking father, Madmartigan, can be higher as backstory for established characters like Willow and Elora Danan, each of whom would have loads of causes to wish to discover their misplaced good friend. In case you diminished the primary get together to only Willow, Graydon, Boorman and Elora, including one other princess into the Immemorial Metropolis subplot would make sense. Now you’d have a possible romantic battle between Elora/Graydon and Airk/Lili. As an alternative that’s overshadowed by too many plot threads and a solid that’s unwieldy and cumbersome.
This makes the queer romance between Jade and Package really feel extra shoehorned into the story than something. “Hey have a look at how progressive this present is!” slightly than something actually compelling or narrative-driven. A love quadrangle between Elora, Airk and two princesses (exchange Graydon with a princess betrothed to Airk who falls for Elora, for example) would have made extra sense! (Sadly, any criticism of those extraneous characters can now be written off as someway homophobic or bigoted, when in actuality they’re simply not good characters and their tales really feel extraneous!)
I’m glad that Package and Elora’s strained relationship, which has precise narrative stress that should play out lastly does, to some extent, this episode, after they take a leap of religion collectively off the sting of the Shattered Sea and discover themselves within the Immemorial Metropolis. Admittedly, even this second is slowed down by over-wrought dialogue. Package’s “I consider in you speech” was higher than loads of her different dialogue, however I couldn’t assist however consider a scene within the Willow film.
Within the scene in query, Willow has simply misplaced Elora Danan to the evil Basic Kael (sorry, humanizing him and his individuals didn’t work for me in any respect within the present). Kael and his troopers flee, slicing their approach by Basic Airk’s ranks. Sorsha stays behind with Madmartigan and each rush to Willow’s aspect after they see him collapse, his face bloodied.
“Elora! They’ve taken her!” the Nelwyn cries.
“Willow,” Madmartigan says, kneeling earlier than him. “Willow—are you able to trip? Let’s trip.”
And that’s it. That’s all it takes. No flowery speeches, no “I consider in you” monologues. Only a present of assist and a name to motion. At this level within the movie, our heroes stay a small band with a transparent mission. The romance between Sorsha and Madmartigan is simply blossoming, however has been secondary to the primary quest. The adventuring get together has picked up stragglers alongside the way in which: First the Brownies and Madmartigan, then the cursed animal-form Fin Raziel, now Sorsha. Distinction that with the present, the place we start with just about all the group intact from outset, and little or no selection regardless of the extra numerous solid. (No previous ladies, no fae, however loads of teen-adjacent youths).
In any case, the majority of the story takes place on the journey throughout the Shattered Sea. They encounter a mysterious and forgetful previous man who cooks them up some scrumptious worm soup (solely Boorman appears to take pleasure in it) and tells them fragmented tales of his adventures as a younger Paladin of Kashmir. I loved this character and want the present centered extra on this type of stuff—peculiar strangers, puzzles, journey and motion, and monsters. Talking of which, the Gales present up within the previous man’s cottage the subsequent morning, one disguised because the previous codger himself, and our heroes are compelled to run for his or her lives.
They trip out on a skiff of some kind pulled by a creature known as a mudmander that Graydon later names Kenneth (which is cute). The unhealthy guys chase and we get a enjoyable battle/chase scene the place we study that Graydon truly has magical powers, too. Boorman has the magical Kymerian Cuirass however refuses to make use of it (he needs simply the proper second) however they make their escape in any case, because of each Elora and Graydon casting spells on the unhealthy guys.
After they escape they arrange camp and Willow and Elora practice. Jade and Package practice, too, which is when the episode’s fashionable rock tune performs, fully taking us out of the second for no good purpose. All I can say is . . . why? Why do that? Is that this actually the type of fantasy present you needed to make whenever you set out on this journey? One the place each little bit of world-building and magic you create is senselessly shattered by the crappy dialogue and out-of-place music?
In case you simply did 4 issues to Willow it might be a midway respectable present:
- Take out all fashionable music. It has no place right here, interval. It shouldn’t be within the end-credits and it ought to particularly not be in the course of the motion.
- Cease it with the cringey dialogue. I don’t anticipate Willow to sound like The Lord Of The Rings, but it surely shouldn’t go this far past what the movie did when it comes to fashionable slang. Cease making an attempt to jot down your teen-adjacent characters to sound the way you suppose youngsters sound. As a guardian of an adolescent I can let you know two issues: 1) they don’t speak like this and a couple of) they don’t like this anymore than we do and discover it condescending and lame.
- Have wise costumes for the setting. Costumes are very hit or miss on this present. The woodcutter ladies—for instance—appeared like characters you’d meet within the Australian outback, not in an epic fantasy. Graydon and Lili may have been plucked out of some hippie film. Get it collectively costume division!
- And eventually, please give attention to the journey and fantasy components of this sequence and spare us all of the YA romance crap. I’m not saying there can’t be any romance in any respect—an Elora/Airk/Graydon love triangle may work, if it wasn’t overbearing—however we simply have approach an excessive amount of, and approach too many samey YA characters who really feel deeply misplaced in Willow.
Do these 4 issues, and you’ve got a reasonably entertaining present. The Immemorial Metropolis is a cool location. The Shattered Sea was enjoyable. I actually preferred the particular results for the magic dueling between Elora and Willow (although I’ve to ask: Why hasn’t Willow bothered to make use of any of this magic earlier than, which appears to come back so simply to him?) The starry evening sky scene was actually stunning. Kenneth was an lovable creature and I loved Graydon’s moments with him. The Gales are freaky unhealthy guys and the Crone is a enjoyable mysterious villain. The bones of a very good present are right here, however they’re making an attempt to do an excessive amount of and so they nonetheless can’t choose a tone.
As an illustration, the Immemorial Metropolis plotline was approach too rushed. We’ve barely seen Airk this entire time then he meets Lili on the finish of final episode. They might have spent a number of episodes increase some type of relationship between the 2 earlier than revealing that she was evil (or being managed by evil). As an alternative, they performed out that total arc in a single episode, ending up on Airk with a haircut and a depraved smirk, looking at Elora and Kat as they stare again in shock. I don’t thoughts that specific second! I simply want we’d gotten there with slightly extra effort.
The opening scene with Lili and Airk was so horrible it virtually seems like we’re watching a distinct present than the one the place the search get together will get to the previous Paladin’s hut. All the things between there and the coaching sequence (minus the silly musical decisions) was fairly good! That’s what I needed from Willow. That and the enjoyable Christian Slater stuff final week, the riddles and so forth.
As an alternative, the present is slowed down by its totally weird artistic decisions, dialogue, half-hearted choreography, puzzling modifying and so forth and so forth. Once more, the bones of a very good present are right here, however that’s about it.
Scattered ideas:
- The actors who performed Lili and Zeb (the previous Paladin) are each Recreation Of Thrones alums which is type of cool.
- The magic dueling was a pleasant break from the entire ‘two beams of sunshine pushing in opposition to each other’ that has dominated fantasy interpretations of magical fight for over a decade. Thank god.
- I’ll say it once more: Y0u don’t need to cater to youngsters for youngsters to take pleasure in one thing. Lots of teenagers wish to watch stuff that’s slightly extra ‘grownup’ and discover stuff catered instantly at them to be tremendous, tremendous lame. This present would have performed simply high quality aiming slightly increased demographically.
- I want they’d made the characters extra likable from the outset, particularly Package and Airk. Ah nicely. This present is only a mess. I doubt it sees a Season 2 however I’ve been mistaken earlier than.
What did you suppose? Let me know on Twitter or Facebook.
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