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Broadway magic will get misplaced in Netflix translation


13 The Musical. (L to R) Ramon Reed as Eddie, Frankie McNellis as Lucy, Eli Golden as Evan, Shechinah Mpumlwana as Cassie, Gabriella Uhl as Patrice, Khiyla Aynne as Charlotte, Luke Islam as Carlos in 13 The Musical. Cr. Alan Markfield/Netflix © 2022.

On stage, Jason Robert Brown’s musical “13” got here with a ready-made hook: It was the primary (and to this point, the one) Broadway musical to be carried out completely by youngsters — proper right down to the band. That juiced up its easy story of center faculty drama with some endearing, energetic novelty worth. But whereas Netflix’s new adaptation of the 2008 stage present retains the proficient tweens, it loses most of its magic in translation. 

In fact, a colourful, upbeat musical about eighth graders is rarely going to attraction to everybody. However “13: The Musical” is just too shiny, slick and squeaky clear even in comparison with previous Netflix tween tasks like “The Child-Sitters Membership” and “Julie and the Phantoms.” Whereas these exhibits balanced their healthful tones with the comedic quirks and relatable social anxieties of center faculty life, “13: The Musical” is so sanitized it feels extra like a 90-minute Hole Children advert.

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About “13: The Musical”: The lamest place on this planet

The hardly-there plot facilities on 12-year-old Evan Goldman (Eli Golden), a born-and-bred New Yorker who’s devastated to study he’ll be shifting to small-town Indiana along with his mother Jessica (Debra Messing) after her cut up from his dad Joel (Peter Hermann). Even worse, it’s just a few months earlier than his bar mitzvah, which implies the excessive stakes of becoming a member of a brand new faculty mix with the excessive stakes of throwing the proper celebration to have fun this main life milestone.

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13 The Musical. (L to R) Eli Golden as Evan, Gabriella Uhl as Patrice in 13 The Musical. Cr. Alan Markfield/Netflix © 2022.

What follows is a narrative about becoming in and discovering your self, as Evan tries to carve out his personal house amidst the advanced eighth grade ecosystem of jocks, nerds, cool children and loners. But whereas the stage present informed that story with a snarky, satirical edge, director Tamra Davis and screenwriter Robert Horn retool their model of “13: The Musical” right into a kindhearted “Ted Lasso”-style story with none heroes and villains, simply flawed younger individuals making an attempt their greatest.

WATCH FREE ON TUBI: The musical underdog story “Howard High”get the app

It’s an comprehensible, even admirable impulse. However the bother is that as an alternative of totally transforming the fabric round that new theme, Davis and Horn simply sand off the present’s tough edges to the purpose the place character motivations and dramatic stakes are virtually non-existent, if not downright nonsensical. As an illustration, as an alternative of Evan cruelly blowing off kindly nerd Patrice (Gabriella Uhl) with a purpose to worm his manner in with the vapid cool children — which might justify her later anger — we get Evan kindly asking Patrice if they will hang around later whereas he befriends the equally form cool children who welcome him with open arms. 

Certainly, everybody on this center faculty is so goshdarn good, form and equitable that it’s laborious to purchase any of those characters having any type of battle with each other. And with new however in the end inconsequential roles for a handful of grownup characters (who additionally embody Rhea Perlman as Evan’s grandma and Josh Peck as his hip rabbi), the plot of “13: The Musical” floats away like cotton sweet in water. 

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13 The Musical. (L to R) Rhea Perlman as Ruth, Debra Messing as Jessica, Eli Golden as Evan in 13 The Musical. Cr. Alan Markfield/Netflix © 2022.

See “13: The Musical” for: Catchy tunes and proficient tweens

Nonetheless, if there’s one factor “13: The Musical” has going for it, it’s that Jason Robert Brown can write one hell of a hook. The composer behind “The Final 5 Years” and “Parade” turns in bop after bop, together with a number of new songs written only for the movie. And “13” briefly comes alive throughout its upbeat, pop-flavored ensemble numbers, that are energetically staged by Davis and choreographer Jamal Sims. 

You haven’t lived till you’ve seen 4 wildly proficient center faculty boys belt out a Motown-flavored ballad whereas dancing in full soccer uniforms. Certainly, “13: The Musical” would most likely work higher as a collection of music movies than a feature-length movie, which is probably why Netflix preemptively uploaded all of the musical numbers to its children YouTube channel forward of the movie’s debut. 

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Whereas the stage present was designed to let tweens communicate to tweens, “13: The Musical” appears geared toward extra of an elementary faculty viewers. Nonetheless, it’s laborious to fault the uniformly proficient younger forged, notably standouts JD McCrary, Lindsey Blackwell and particularly Frankie McNellis. (The stage present famously gave Ariana Grande her begin, so be looking out for the following nice pop star within the combine.) It’s only a disgrace the film doesn’t belief its younger stars to deal with materials that’s a little bit weightier than this continuous sugar rush. “13: The Musical” faucets into the healthful innocence of center faculty, however misses out on the complexities of the age group it’s ostensibly celebrating. 

Grade: C+

Rated PG. 92 minutes. Dir: Tamra Davis. That includes: Eli Golden, Debra Messing, Rhea Perlman, Josh Peck, Peter Hermann, Gabriella Uhl, JD McCrary, Frankie McNellis, Lindsey Blackwell, Jonathan Lengel.

Make it a double function with “Annie,” streaming free on Tubi

Annie (2014): The basic story of little orphan Annie will get a modern-day replace on this 2014 family-friendly musical comedy. Right here Annie (Quvenzhané Wallis) is in foster care, “Daddy Warbucks” is billionaire tech entrepreneur William Stacks (Jamie Foxx) and Cameron Diaz camps it as much as the max as a (barely) extra sympathetic Miss Hannigan. The songs additionally get a recent replace, together with a fairly irresistible hip-hop tackle “It’s The Hard Knock Life.” Rated PG. 118 minutes. Dir: Will Gluck. That includes: Quvenzhané Wallis, Jamie Foxx, Cameron Diaz, Rose Byrne, Bobby Cannavale, Mike Birbiglia.

“Annie” is streaming free on Tubiget the app

Tips on how to watch “13: The Musical

“13: The Musical” is at the moment streaming on Netflix. 

In regards to the author: Caroline Siede is a movie and TV critic in Chicago, the place the chilly by no means bothers her anyway. A member of the Chicago Movie Critics Affiliation, she spent 4 years lovingly analyzing the romantic comedy style one movie at a time in her column When Romance Met Comedy for The A.V. Membership. She additionally co-hosts the film podcast, Role Calling, and shares her popular culture opinions on Twitter (@carolinesiede).

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